Glenn Zucman

Glenn Zucman

Corpora Contact


Hello, I’m Glenn Zucman. Thanks for visiting my portfolio website. I believe that all art is Identity Art. In my work, I try to have a little bit lighter author’s hand and to empower participants to express their own identity.

The range of expressions of love or hate from people at Donald Trump’s star on Hollywood Boulevard. A “Mixed Reality” public art event where people at RL Venice Beach, and avatars on a virtual beach in Second Life, can all express their reflections on love and being a part of humankind.

On this website, you’ll find a reverse-chronologic list of projects. In the menus under corpora, you’ll find collections of works. A corpus is a body of texts, it’s plural corpora, are bodies of texts. I use the term corpora instead of a term like “media” because my work is less about painting or sculpture or video, and more about Social Production, or Public Art, or Incarnation, or Resurrection.

Thanks for visiting my portfolio. If you have any questions, or if you’d like to talk further, see the contact page, where you can send me an email, find me on Instagram, grab my phone number, or contact me via the platform of your choice.

Thanks for visiting!


In this collaboration, London-based, Polish artist Lena Janczak and I share an Instagram feed. Ethereal letters. A conversation. An exchange of ideas. Of cities. Of people. Of love.


A Street Photography journal. Urban Planning savant Jane Jacobs never really loved Los Angeles. Our legendary sprawl can make it hard to find a here here. But it also creates possibilities. The LA Metro is “behind” cities like Chicago or NYC, but those cities are physically tiny compared to the vastness that is Los Angeles. By car LA is a series of drop-ins. But it’s too vast to walk all of it. With a Metro Tap Card, a pair of Nike Air Max, and a 35mm f1.8 lens, I’m exploring as much of Los Angeles as I can.

Merlino Gallery

It’s small size and long, 2.35:1 (Cinemascope) aspect ratio make the Merlino Gallery unique among the 5 galleries at the Long Beach State University School of Art. Here I collect a few of the most delicious, and installation-oriented, of the 30 exhibitions/year featured at Merlino Gallery.

In The Boy’s Room

Above the men’s room urinals in the Long Beach State University, Student Union are 2 chalkboards that usually feature some spontaneous opinion, vernacular expression, or drawing. This semester I am photographing these chalkboards after my Monday & Wednesday office hours.


Donald Trump’s Star on the Hollywood “Walk of Fame” is a touchstone. If you stand there for a few minutes you will see one person express deep contempt for our 45th president, and 21 seconds later another will express love. This signifier is as close as most people can get to expressing themselves to the 45th president. In a series of 52 weekly photography visits, I document the state of the star and whatever people happen to be doing there that day.

Letters 2

Collaboration with Ukrainian artist Irene Prokopets: What if the Terminator movies are actually documentaries? What if “Skynet” becomes sentient? How will it judge humankind? By all the hate speech online? In this project, Prokopets & I invite people to make short video Letters to Skynet explaining to our future AI overlords why humankind is a thing of value & beauty worth saving.

Janus Drawing Portfolio

For “Pissed Off” at Tom of Finland Foundation, I made a series of automatic drawing diptychs with artists & guests at the event. For each drawing we meditated either on “Anger & Frustration” or “Joy & Human Fulfillment”.

Shame Wrapped in Repulsion

Indiana artist Alyssa Arney and I were inspired/repulsed by the shameless audacity of Burger King’s fractal foodenstein mashup “Mac ‘n Cheetos”. We curated an exhibition focusing on shame, repulsion, and capitalist over-consumption run amok.

Philosophy in the Bedroom

For my portion of Philosophy in the Bedroom with Sheree Rose, Rhiannon Aarons and Martin O’Brien, I brought 4,000, 1-inch-diameter, orange, cheese balls and performed a monologue about the perils of green food.